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China’s single population is growing rapidly, and many no longer see “marriage and childbirth” as an inevitable part of life. A diverse society offers diverse choices, and everyone has the freedom to choose how they want to live—a sign of social progress. How to help men and women of this era achieve the warm and sweet intimacy they desire is a question that Liu Jiang’s new drama, “Warm and Sweet,” seeks to explore.
Intimate relationships are a type of interpersonal relationship, referring to an emotional or physical closeness experienced by the individual. In today’s individualistic society, the core of modern intimate relationships lies in the emphasis on openness and communication of emotions, and mutual understanding and knowledge. This also reflects humanity’s contradictory needs for freedom and security. Broadly speaking, family, marriage, and romantic relationships all fall under the category of intimate relationships.
Director Liu Jiang has always focused on the attitudes of young people towards marriage and love. The first two parts of his “Love Trilogy,” “A Beautiful Era of Daughter-in-Law” and “Let’s Get Married,” reveal the changing values and perspectives on marriage and relationships across different eras.
In an interview, he said, “Modern young people have higher requirements for the purity of love and marriage. They don’t need impurities; they demand a feeling of excitement and purity. This is a manifestation of civilization, a sign of social progress, and a new emotional phenomenon of the new era.”
The urban drama “Warm and Sweet,” starring Victoria Song, Michelle Chen, Lu Yi, Jing Chao, and Sun Jian, reflects the emotional needs of today’s young people. Five urban men and women—Nan Fei, Qi Jiayi, Chen Fang, Jiao Yue, and Ling Jiaoyang—are tormented and sacrificed for love in a whirlpool of emotions. They neither shy away from the resolute decision of “love at its end, irreversible,” nor do they shy away from the bittersweet joy of finally finding true love. Ultimately, love is warm and sweet. Qi Jiayi files for divorce after her wedding ceremony, saying goodbye to the wrong person, and finally spending her life with the one she truly loves. Nan Fei pretends to be a couple with Jiao Yue to deceive his parents, all while waiting for his true love. “If it’s not right, don’t settle.” In the end, the protagonists all choose to marry for the love they feel.
What kind of love do contemporary urban men and women yearn for? What kind of marriage do they expect? The characters and dramatic conflicts that constantly appear in the drama cleverly illustrate the issues of marriage and love for contemporary men and women. Director Liu Jiang has also said many times that what truly determines whether a relationship leads to marriage is not whether the couple is well-matched in terms of social status; when you meet someone you truly click with, you will naturally consider marriage. As Qi Jiayi says in the drama, “Not aiming for marriage doesn’t mean you won’t eventually get married.”
A spark of attraction is the foundation of love and the starting point of marriage.
“Warm and Sweet” expresses more than just love; it also vividly portrays the warm friendship between contemporary urban women. The female protagonists, Nanfei and Qi Jiayi, are sisters who grew up together but have completely opposite personalities. Nanfei is intelligent, decisive, and straightforward—a refined and elegant northern girl.
Qi Jiayi is tolerant, tactful, and understanding; she is a charming and gentle southern woman.
The two girls have different desires and pursuits, and both encounter various difficulties in life, but fortunately, they support each other. The most memorable scene in the drama is when the two best friends finally buy a house together, live together, and face the ups and downs of life together. Childhood sweethearts can also walk hand in hand and even live together, which is a new picture of contemporary urban life, vividly demonstrating the warmth and sweetness of friendship. “But this friendship is not their permanent haven, and they will also experience twists and turns and conflicts later on.” In the drama, the two girls make heartfelt confessions such as “I can’t imagine what my life would be like without you,” and also make a decisive declaration of “I never knew you.” But whether it’s sweet or bitter, the two sisters have a deep bond and ultimately become the most important companions in each other’s lives, becoming each other’s support for a happy life.
Friendship, especially mutual support and love between women, hits the emotional needs of many urban women in reality.
How to get along with parents after adulthood? How to truly grow up without being influenced and controlled by one’s family of origin? These are common challenges faced by urban men and women today. The care and concern of family is a warm bond, but sometimes it can also be a sweet burden. In the drama, various problems of Chinese families are realistically presented to the audience.
Pan Hong, who plays Jia Yi’s mother, immediately engages in a heated “mother-in-law and mother-in-law settling accounts at the wedding” scene with Tian Min, who plays Xu Xi’s mother. Meanwhile, the children, left out in the middle, are at a loss. Xu Xi, the mama’s boy, and Jia Yi, the obedient girl, are like children who haven’t grown up. Although they are supposed to be discussing their marriages, they are completely controlled by their two mothers.
Nanfei and Jiao Yue are both successful overseas returnees, but they are completely helpless against their parents’ strong desire to control them, and even pretend to be a couple under their parents’ pressure to get married. “Can you please stop arranging my life?” “Your son is not happy at all right now”… These familiar and heartbreaking lines, along with the topics and anxieties brought about by elders urging marriage, fully demonstrate the sharpness and severity of the intergenerational conflict in the drama.
“Warm and Sweet” simultaneously presents the burdens and healings that family ties bring to urban men and women. The strong ideological conflicts between generations are a dilemma that young people must face today, which makes viewers of all ages feel a strong sense of identification when watching the drama.
Isn’t this the reality of society? Modern relationships cannot be separated from one’s family of origin and life experiences. Relatives, friends, elders, juniors, or various “exes”—these real-world challenges make the romantic journeys of the characters in the drama full of variables and obstacles. “Warm and Sweet” is grounded in the characters’ family backgrounds, emotional experiences, and profound inner character portrayals, meticulously depicting the stories of contemporary urban women growing up in love, friendship, and family. These stories are filled with warm and sweet emotions. Perhaps, after watching this warm and realistic work, more people will yearn to build intimate relationships, because the essence of humanity is still the desire for love and connection.
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