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A mysterious German painter, Apollonia Saintclair, uses highly narrative black and white paintings to present the flow of sexuality and hidden power relations. For her, the enjoyment of desire is a private and necessary thing for both men and women.
Apollonia Saintclair is an artist who specializes in adult illustrations. There is not much information about her online, and she is mysterious and incomprehensible. No one knows what kind of background this girl, who often uses pen and ink to create otherworldly worlds, has.
What is her real name? What does she do for a living? The only thing people know is that she comes from Europe.
However, her works were so popular that they were published almost serially on foreign erotic art websites.
In each of her paintings, besides eroticism, there is often a hint of madness and danger, making it impossible to look away, yet also giving rise to a sense of terror.
On her Instagram profile, Apollonia Saintclair described herself as follows:
Not suitable for viewing at work; 18+ adult content.
“Ink is my blood; I paint only for my own and your pleasure.”
Upon seeing this sentence, you might think that she is as unapproachable as those artists, but she is more frank and honest than anyone else.
She doesn’t like talking about herself because she feels her paintings are far more important than her as a person. In a media interview, she said this:
“I don’t have a single, definitive answer to why I paint. At first, I painted for joy, for you and for me. But now, even if I wanted to, I couldn’t, so now I paint out of necessity. But being able to paint something very private and intimate on paper and make it public, and then have it absorbed by different groups of people, is a special experience.”
Apollonia Saintclair’s erotic illustrations are derived from her sexual fantasies. She draws these visually striking images and then uploads them to her blog to share with netizens. Many people who see her work believe that it is an art form that expresses sexual desire, rather than simply pornography.
In a way, Apollonia Saintclair’s description of her own work is quite accurate: delicate brushstrokes, alluring women, and explicit or implicit sexual innuendo…
You could call these black and white paintings retro or stylish, or you could say they’re extremely mysterious and dark, exploring desire through erotic illustrations. The sometimes violent imagery adds dramatic tension and reveals the connection between sex and violence.
In 2012, Apollonia Saintclair stumbled upon Tumblr while searching for materials and began uploading her work there.
“I didn’t have any expectations, but the result was great. I never thought that anyone would be so eager to see my work. I suddenly realized that if I put in enough time, I have the opportunity to improve even more.”
She hopes to create a space that belongs to her but can also be shared with others.
Apollonia Saintclair’s fanbase is predominantly female, and most believe her work is an artistic expression of eroticism rather than purely pornographic. (Recommended reading: Why is masturbation considered normal for men, but strange for women?)
She pointed out that the negative responses she received were actually very few, so they were easy to overlook.
Her works may appear violent, but it’s never clear who is in control. She believes that sex is not a simple thing. Even with the gentlest methods, sex itself is still violent because sex is about life. Life is a fierce drama, a struggle, and all possibilities lie within it.
In her rebuttal to those who accused her work of being pornographic, she also expressed her personal perspective: “I hope everyone can understand that a portrait should not be judged solely on its surface. To stop at a superficial portrait without further thought, ignoring its complex possibilities that are as intricate as emotions, is an insult to intelligence.”
Perhaps influenced by film noir, Apollonia Saintclair’s paintings always convey a sense of narrative, as if something is happening and some emotion is flowing.
Although Apollonia Saintclair’s identity is kept secret, she is not completely isolated from the world. Scattered interviews with her and compilations of questions and answers can be found online, which may help us to sketch out the image of this mysterious creator.
Q&A
Q: Where did you get the name Apollonia Saintclair? Is she, active in the online world, another side of yourself besides your daily self?
A: I don’t want to answer this question directly.
Using pseudonyms is a tradition in the field of erotic literature, but that’s not why I specifically chose this name.
Apollonia Saintclair is a woman who frequently showcases her work to the public. I decided early on to separate my online persona from my real life.
In this era where “selfies” are ubiquitous, personal privacy is the last luxury. I don’t think I have to stand next to my work. The story of the work itself is rich enough. It doesn’t need an author standing by to add fuel to the fire.
Q: How would you describe your creative process?
A: I should leave this question to someone else.
But you can understand these works as products of self-enjoyment, much like the intense sense of wonder we experience when reading a book or watching a movie. Our inner desires often drive us to a magical, fantastical world, and I try to create those magical bubbles for myself.
Soon I was surprised to find that more and more people were beginning to derive pleasure from my work.
Q: Could you talk about your first work related to eroticism?
A: My first creation related to eroticism was not actually a painting but a short story, inspired by a comic book I read many years ago.
If I remember correctly, it’s related to an underground Hindu temple that also contains a living sculpture.
It sounds a bit over-the-top, doesn’t it? But I feel that the atmosphere of this story is somewhat related to my painting today.
Q: Many of your works seem to be more than just erotic works; they also seem to have a sense of social criticism and satire. Is this the starting point of your creation?
A: I do try to create works with a sense of ambiguity, and their interpretation will vary from person to person.
However, political messages in my work are not mandatory, so I don’t intend to express anything in particular. Of course, this doesn’t mean I’ll distance myself from society; many of my creative ideas come from current events.
These works have both a personal aspect and a certain public dimension, because I feel they can express our world on a relatively broad level.
Q: Many of your works involve female desire. Do you feel very frustrated when people cannot understand female desire?
A: To me, there is no difference between wanting to portray a woman or even a man.
Sexual desire, especially female sexual desire, has many layers. It is very private and personal, like the tip of an iceberg hidden in a person’s personality. However, I must say that the atmosphere of some conservative institutions, including the “self-improvement” sections of some lifestyle magazines, really has a kind of “hypocritical” feel to it.
Of course, if you want to explore desire, you do need some guidance, but that doesn’t mean everyone needs to have a pre-set role.
Q: You have a large following on Tumblr and Instagram. Why do you think your work is so popular in the online world?
A: If I really understood the tricks of online marketing, I might choose to buy recipes and ingredients online and become as rich as the Heinz family.
To answer a somewhat embarrassing question, Apollonia Saintclair posted a picture on Instagram to show that she took it seriously.
“Recently, someone asked me if my paintings arouse me sexually, and if I want to arouse viewers. If so, it might be a nice bonus effect of these works, but that’s not the point. My well-known works do indeed take an erotic approach, but they are not solely about sex.”
Living is about being yourself. As long as it doesn’t infringe on the freedom of others, everyone can indulge in sexual fantasies and enjoy sex. Apollonia Saintclair paints the boldest and most private side of women, their desires and wants for sex, recklessly teasing the senses. Her illustrations are the most uninhibited, depicting naked men and women enacting illustrated sex scenes. The tangled hair, slightly parted lips, and men and women pressed tightly together in the pictures relentlessly tantalize the senses.
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